IN THE MEDIA

REVIEWS

-SAM ABOUT TOWN (ADELAIDE) (https://www.samabouttown.com/adelaide-fringe-2024/beautiful-blacklisted/) 

“Blacklisted” is an earnest invitation to delve into a tale of belonging and identity, told with sincerity and a dash of playfulness. 

-BROADWAY WORLD (https://www.broadwayworld.com/sydney/article/Guest-Reviewer-Hamavand-Engineer-Shares-His-Thoughts-On-BLACKLISTED-20230915)

“she had captured their hearts and attention and that neither she nor they, were going to let it wane.”

-THEATRE NOW- 4.5 STARS (ttps://theatrenow.com.au/theatre-now-review-plenty-of-fish-betty-is-butcher-blacklisted/?fbclid=IwAR2xuqxCOJX328n5ZOM6oUy4aazQAQSI-ByRbdLY5nj0Swe9mw84Pjab1bo )

“Regardless of your political view on migration, you will feel connected to Almitra’s story.” 

-STAGE WHISPERS (https://www.stagewhispers.com.au/reviews/blacklisted)

“Almitra Mavalvala is engaging and charismatic”

-THEATRE THOUGHTS (https://www.theatrethoughtsaus.online/post/loveofpaper-review-kxt -)

“Mavalvala and Makhlouf share a brutally honest portrayal of friendship and love”

-RASSART, 4 STARS (https://rasaart.net/pleasurable-experience/)

“Mavalvala’s own musicianship additionally injects her performance with immersion”

-STAGE WHISPERERS (https://www.stagewhispers.com.au/reviews/love-paper?fbclid=IwAR1Z74umYC9Cc-svzT30YT69ZhTikIZFkPYt9rRo_eV7JS6Qb8IFvHAnIF0_aem_AYFqpWmKUAxU_YMa0aRnQ1j5YSOOXLKf7jpZTxUr-b8_s6ylRZYg1yFWnV-ly48RoRP0Q3GfdwdEWuGZBu65N-2s)

“Almitra Mavalvala, author of this heart-felt piece, plays Amaliah, her heroine, and she does it well. Moving around the crowded stage with complete confidence, she brings the drama to life.”

-THEATRE TRAVELS (https://www.theatretravels.org/post/review-for-the-love-of-paper-at-kxt-on-broadway) 

“Deep, raw, real. Playwright Almitra Mavalvala infuses Amaliah with heart and fire, conveying the sense of a woman walking the tightrope between hope and despair”

-DRAW YOUR BOX (https://drawyourbox.com/posts/for-the-love-of-paper-review)

“with intense Afghani inspired compositions, the play transports the audience between nations and will make almost anyone from an ethnic background feel seen” 

-SAARI COLLECTIVE- (https://saaricollective.com.au/culture/blog/review-told-by-one-of-us-for-the-love-of-paper/) 

“Every part of the play felt like it was told by one of us, rather than from an onlooker wanting to add an ‘edge’ to their script.”

ARTICLES: 

https://diversityaustraliamagazine.com/2023/08/31/blacklisted-is-re-imagined-and-returning-to-sydney-stages/

https://utsvertigo.com.au/discover/blacklisted-an-interview-with-almitra-mavalvala 

https://drawyourbox.com/posts/for-the-love-of-paper

PODCASTS:

THE GUARDIAN- WAITING FOR A VISA: https://www.theguardian.com/australia-news/audio/2023/jan/10/waiting-for-a-visa-the-cabaret-full-story-summer

IN THE GAP: https://open.spotify.com/episode/1faeD05ICUW0ziKhmQqp6D?si=952db1409338424f

PS MEET ME AT STAGE DOOR: https://open.spotify.com/episode/6c6g7wjj5KmTMBZQiZ3ZeZ?si=be88d37b4b9547f5

CHOOKAS PODCAST: https://open.spotify.com/episode/4wxq4QmJ7qFtaMgKLdx9PP?si=f20d176fc79540d1